
- Venice — Verona Film Club Award
- Cairo IFF — Best Arab Film
A meditation on identity and inheritance, told through fragmented family memory.


I'm a bilingual French-American development producer working across documentary, fiction and long-form journalism — with filmmakers, production companies, NGOs and mission-driven organisations. My work runs from the first treatment to the document that convinces a funder: story architecture, script consultancy, archival research, pitch decks and festival strategy. What sets it apart is the time I take to really know a project and its author before touching its form.
A portfolio of decks — feature films, documentaries & press kits.
































A meditation on identity and inheritance, told through fragmented family memory.

Investigative journalism at sea — building narrative frameworks for a global audience.

JR's monumental portraits, translated into a funder-ready visual proposal.

Consulting on the cut and full EN/FR subtitling for a report from the eastern front.

Reconstructing a Holocaust survivor's testimony from scattered archives.

Universal basic income in a Kenyan village — a decade-long social experiment.

A shepherd, the slow return of predators, and an old European quarrel about land.
Shaping treatments and story architecture from the first spark through the final draft.
Structure, dialogue and dramaturgy — from outline to shooting script, in French or English.
Excavating forgotten footage, records and photographs — turning fragments into narrative bedrock.
Editorial documents that translate a vision into a document funders trust and remember.
Positioning, audience and voice — building the frame around the work before it meets the world.
Moving stories across languages without losing cadence, nuance or intent.

What sets me apart as a development producer is the time I take to really know a project and its author — asking the right questions, reading every draft of the screenplay, even digging into the deep, personal reasons behind the work. That depth lets me truly capture a project's soul, whether in a pitch deck, a script rewrite, or the right festival, broadcaster, or grant strategy. Few people take that kind of time.
See how I work, step by stepParis, France · Sevilla, Spain
& remote worldwide